The Hateful Eight - Quentin Jerome Tarantino's film

Naming a film, 'The Hateful Eight', in order to remind anybody watching that this is your eight film, isn't the act of a modest man, but, if anybody were concerned that Mr Tarantino had been replaced by a  doppelganger, this, along with the extreme, and, somewhat, gratuitous violence in the film, ought to put his mind at rest.

Though Mr Tarantino doesn't credit Laurence Sterne for the smashing of the fourth wall as an art form, he does do it as well as Mr Sterne does in 'Tristam Shandy'. I think he'd call it 'post modern', as, too, no doubt, he'd also label the other devices found in 'Tristam Shandy', like telling the story in a peculiar order, and adding lots of clever self-reference. Odd, really, that such, albeit unconscious, homage should be given to a book published in 1759, by a chap so keen to be hip and 21st Century as Mr. Tarantino, but there it is.

It is a sound point that the animosities of wars, particularly of civil wars, continue for a considerable time after the mass killing has been stopped. He might be right, but I'm not sure if the possible implication this film intends is really accurate. Do so many current American problems really have their ætiology in the Civil War? He certainly does make a good stab, if you excuse the term in this context, at making that point.

The ghastly characters in the film are nicely drawn, and the dialogue between them is often funny. Their perspectives are sharply drawn, and it's interesting to see what things they appear to hold in common. As far as I can see they hold these views in common:

- Guns are a really good thing
- The Civil War was a really bad thing, but certainly the other side's fault
- Lying is a bad thing, particularly when practiced by somebody else
- Lying is, however, not only inevitable, but ubiquitous, so only actions can be believed
- The pecking order is: White male -> White female -> Black Male -> Black Female -> dog -> Mexican
- Capital punishment, in particular, public execution by hanging, is a good thing. Not for everybody, but essential for some.
- Might is right

The film is evidently, at least at some level, intended to be satirical, so, clearly Mr Tarantino believes some, probably most, of these are not only wrong, but currently ubiquitous enough to require satirical treatment.

The well worn device of having the unlikely collection of characters isolated, in this case by a blizzard, works well. I'm not sure that the indulgence of such a long running time is justified. Certain aspects of the plot, signalled with crystal clarity in the first quarter of the film, are only revealed, as if an amazing surprise, a couple of hours later. I think the film could be much improved by reducing it to normal length.

Roy Orbison's song seems apt as a description of the Civil War, Tarantino films generally, and the problems that he highlights, quite well, all in all:

Now the old folks will remember
On that dark and dismal day
How their hearts were choked with pride
As their children marched away
Now the glory is all gone

They are left alone
And there won't be many coming home
No, there won't be many coming home
oh, there won't be many
Maybe five out of twenty
but there won't be many coming home

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